"Mary Cassatt and Louisine Havemeyer's Friendship: A Personal, Professional, and Political Alliance." In Feminist Friendships, Collaborations, and Networks in the Visual Arts: Essays in Honor of Norma Broude and Mary Garrard, edited by Jennifer Griffiths, Andrea Pearson, and Sheila Barker. London: Harvey Miller Publishers, forthcoming.
 

"The Other Nefertiti: Symbolic Restitution in Contemporary Art."  In Contested Holdings: Public and Private Collections in Political, Epistemic and Artistic Processes of Return, edited by Felicity Bodenstein. New York: Berghahn Books, 2022.
 

"Connoisseurship, Gender and the Material Culture of Viewing Prints in the 1890s." In Making Waves: Crosscurrents in the Study of Nineteenth-Century Art, edited by Laurinda S. Dixon and Gabriel P. Weisberg. Turnhout: Brepols Press, 2019.
 

"From Commune to Commerce: Ernest Maindron's Collecting Ephemera and Posters, Late 1850s – Early 1900s." In Collecting Prints, Posters and Ephemera, edited by Ruth E. Iskin and Britany Salsbury. New York: Bloomsbury, 2019.
 

"Introduction: Collecting Posters and Other Ephemera." In Collecting Prints, Posters and Ephemera, edited by Ruth E. Iskin and Britany Salsbury. New York: Bloomsbury, 2019.
 

"Cassatt's Singular Women: Reading Le Figaro and the Older New Woman." In A Companion to Nineteenth-Century Art, edited by Michelle Facos, 467-84. Oxford: Wiley Blackwell, 2018.
 

"The Degas and Cassatt 1915 Exhibition in Support of Women's Suffrage." In Monographic Exhibitions and the History of Art, edited by Maia Gahtan and Donatella Pegazzano, 26-37. London: Routledge, 2018.
 

"The Collecting Practices of Degas and Cassatt: Gender and the Construction of Value in Art History." In Perspectives on Degas, edited by Kathryn Brown, 205-230. London: Routledge, 2017.
 

"Re-envisioning the Canon: Are Pluriversal Canons Possible?" In Re-envisioning the Contemporary Art Canon: Perspectives in a Global World, edited by Ruth E. Iskin, 1-42. London: Routledge, 2017.
 

"Relational Media: Jewish Responses to the Jewish Banker Stereotype in 1890s Paris and 1955 Israel." In Jewish Images in the Media, edited by Martin Liepach, Gabriele Melischek, and Josef Seethaler, 177-202. Vienna: Austrian Academy of Sciences Press, 2007.
 

"Identity and Interpretation: Receptions of Toulouse-Lautrec's Poster Reine de Joie in the 1890s."
In Antisemitism and Assimilation: Jewish Dimensions in Modern Art, edited by Matthew Baigell, Rose-Carol Washton Long, and Milly Heyd, 145-66. Detroit: Wayne State University Press, 2007. Reprinted from Nineteenth-Century Art Worldwide (Spring 2009). A version of this article was published in A Life of Art, Essays in Honor of Haim Finkelstein 2010 (Hebrew).
 

"Material Women: The Department-Store Fashion Poster in Paris, 1880-1900." In Material Women 1750-1950: Consuming Desires and Collecting, edited by M. Daly Goggin and B. Fowekes Tobin, 33-54. London and Burlington, VT: Ashgate, 2009.
 

"Popularizing New Women in Belle Époque Advertising Posters." In A Belle Époque? Women and Feminism in French Society and Culture 1890-1910, edited by Diana Holmes and Carrie Tarr, 95-112. New York: Berghahn Books, 2006. A version of this article was published in Art History and Music, edited by Richard Cohen, 22-37. Jerusalem: Shazar Institute, 2007. (Hebrew).
 

"The Flâneuse in Fin-de-Siècle French Posters." In The Invisible Flâneuse? Gender, Public Space, and Visual Culture in Nineteenth-Century Paris, edited by Aruna D'Souza and Tom McDonough, 234-266. Manchester: Manchester University Press, 2006.
 

"Selling, Seduction, and Soliciting the Eye: Manet's Bar at the Folies-Bergère." In Reclaiming Female Agency: Feminist Art History after Postmodernism, edited by Norma Broude and Mary D. Garrard, 235-257. Berkeley: University of California Press, 2005 (A shortened version of the article published in the Art Bulletin, 1995).